Star Cast: Rani Mukerji, Anirban Bhattacharya, Jim Sarbh, Balaji Gauri
Director: Ashima Chibber
Prepare yourself for an emotional rollercoaster with the latest theatrical release, "Good." The film centers around an Indian family living abroad, led by a brilliant emotion-portrayer in Rani Mukerji. The family is tormented by an agonizing episode, as they fight to get their kids back from a country's legal system.
While the film's pacing may start to echo after a point of time, the director manages to find the right balance at the right time. The film's writing keeps you engaged throughout, with a mix of longer, complex sentences alongside shorter ones.
Don't even think about taking a loo break during this one! The story will keep you glued to your seat, and the songs are not to be missed.
If you're a fan of courtroom dramas, especially those involving helpless mothers fighting for their children's rights, then this film is a must-watch. Its runtime of 133 minutes is well worth the emotional journey it takes you on.
As the opening montage fades, the vibrant hues of Norway give way to a tense and gripping scene. We see Debika Chatterjee (played by Rani Mukerji) sprinting for her life, her two toddlers in tow, desperately trying to evade the clutches of the Norwegian Child Welfare Services, known as Velfred in the film. Meanwhile, her husband, Anirudh Chatterjee (played by Anirban Bhattacharya), finds himself embroiled in a struggle to gain citizenship in the country.
Velfred has taken Debika's children away from her, citing her as an unfit mother due to her cultural practices such as making them eat with their hands and applying kohl to their faces. Despite being alone in her fight, Debika is determined to do everything in her power to reclaim her children, delving into the depths of the unknown and unearthing secrets that others might dismiss as mere gossip. The tension and uncertainty of the situation are palpable as Debika navigates the complex and unfamiliar landscape of the Norwegian Child Welfare system in a bid to regain custody of her children.
Review of the film Mrs. Chatterjee vs. Norway: Script Evaluation
The film, adapted by Director Ashima Chibber, Sameer Satija, and Rahul Handa, is based on the autobiography of Sagarika Chakraborty, entitled The Journey Of A Mother. The script does an excellent job of conveying the emotional pain of a mother, relying heavily on the outstanding performance by Rani Mukerji. Although the film can become monotonous by the early second half, the tables are turned, infusing a well-crafted courtroom drama.
Cinematographer Alvar Kõue, who has worked in the camera and electrical department of Christopher Nolan's Tenet, does an excellent job of handling the gloomy camerawork. The cloudy atmosphere perfectly sets the mood for the narrative to display a range of emotions. Chibber's skills in treating such a sensitive subject are on full display with the delightful balance of how a high-voltage dramatic scene could end on a joke.
The film's salient hero is Editor Namrata Rao, who has applied her scissors to films like Oye Lucky! Lucky Oye!, Ishqiya, Band Baaja Baaraat & Kahaani. Although the film can drop at more than one place, it's hard to get bored with what you're watching due to the way it's edited and presented.
Review of the film Mrs. Chatterjee vs. Norway: Star Performance
It's time we all pause for a moment and appreciate the cinematic brilliance of Rani Mukerji. From Hichki to Mardaani 2 and now this latest offering, she's been on a roll, choosing and nailing each script with aplomb. Despite the occasional big breaks, her natural talent shines through in every role. Even when she raises her voice, she doesn't go overboard and hurt your emotional senses.
But Rani's not the only star of the show. Anirban Bhattacharya delivers a masterful performance, portraying a loving yet shady husband with remarkable restraint. And the film's based on a real-life story, so it's hard to complain about any gender bias. Meanwhile, Jim Sarbh's portrayal of an Indian Norwegian lawyer is nothing short of riveting. He's the perfect embodiment of subtlety, keeping the audience guessing about his true intentions throughout the film.
But it's Balaji Gauri who truly steals the show in the second half. As the Bengali Lawyer, she turns the tables and saves the story from becoming repetitive. Despite having less screen time, her performance is more than effective, leaving a lasting impression on the audience. All in all, this is a film that deserves your attention and admiration.
Review of the film Mrs. Chatterjee vs. Norway: Directing and Music
Ashima Chibber skillfully depicts the agony of a mother as she tells her story from a personal perspective. While I am not fully informed about the actual case, the book's tagline hints at a "diplomatic war between India and Norway." However, as the story progresses, this side of the narrative seems to lose its impact and remains unexplored, which is a missed opportunity. Although the courtroom scenes offer a glimpse into the diplomatic conflict, I expected a more in-depth exploration of the issue.
On the other hand, Amit Trivedi's three situational tracks are exceptional, seamlessly integrating with the characters' emotional journey without dragging the movie's length. Additionally, Hitesh Sonik's background score enhances the overall narrative and ties everything together beautifully.
Review of the film Mrs. Chatterjee vs. Norway: The Last Word
As I delve into the nuanced world of cinema and the portrayal of mothers' pain, one particular film lingers in my mind, one that leaves a lasting impression due to the earnest and raw performance of Rani Mukerji. The film's impact on the audience is palpable, as it delves into the depths of a mother's agony with unflinching honesty and emotion. The complexity of the character and the depth of her pain are expertly conveyed through Mukerji's nuanced and powerful performance, leaving a profound impact on the viewers. It is a film that resonates deeply with anyone who has experienced the pain of motherhood, and its significance is sure to be felt for a long time to come.
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